If you’re sick of using the Musical Typing keyboard in Garageband, then look no further than this article. Connecting a keyboard MIDI controller to Garageband is incredibly simple. Without further ado, This is how you connect a keyboard into GarageBand. Before playing your guitar in GarageBand, know that there’s an actually fairly useful tuning mechanism set up in the DAW. It’s not as good as a good old fashioned Korg tuner, but it still works pretty well. I usually use it if I’m too lazy to go over and grab my tuner. How To Tune Your Guitar Using GarageBand.
So You Want To Record Authentic-Sounding Guitar In Your DAW
In this article, I’ll show you exactly how to plug your guitar into GarageBand. The way that I find works best is the most convenient and sounds pretty good as well while minimizing latency and other problems.
How to Plug Your Guitar Into GarageBand
There are a few different ways of doing this, and some are significantly better than others. I’m just going to show you the way that I do it.
I have a couple of pieces of necessary gear:
- Obviously, your guitar.
- A Firewire to USB Cable
- an Audio Interface (I use the Focusrite Saffire 6USB. The Scarlett 2i2 is good too.)
- A USB-C to USB cable (The only reason this adapter is necessary is I’m using the latest edition of the MacBook Pro. The older generation MacBook Pro doesn’t need this adapter).
- Regular Guitar Cable.
If you’re new to music production, understand that a lot of this equipment will come in handy for years to come.
If you’re serious about recording and producing, much of this equipment and more are a necessity, so just grab some of it off Amazon and be done with it.
Without further ado,
The actual steps:
1) Connect your Firewire cable to your MacBook Pro. In most cases, this cable will come with your purchase of an audio interface, or a MIDI keyboard. However, if you don’t have one for whatever reason, I’m sure you can pick one up from Amazon for cheap.
2) Usually, the port for the firewire cable is on the back of the Audio Interface. Plug the other part of the firewire cable into the back of the Audio Interface.
In my case, the Firewire to USB has to go into the USB-C adapter that I mentioned earlier.
3) Now, assuming you have the Focusrite Saffire 6USB, it should be powered by your computer. You don’t have to plug it in or anything like that, so all of its lights will turn on which you can see on the front of the unit.
4) Open GarageBand.
5) Click “Open Project,” or one of your old existing files. It doesn’t matter.
6) Once it brings up the “Choose A Track Type Page,” Click on where it says: “Built-in Input.”
7) This should be all that’s needed for this part of the process. However, assuming this is the first time that you’ve ever done this, it wouldn’t be a bad idea to click on where it says, “Built-in Output.”
8) That should bring up your “Output” and “Input” Devices under the Audio-MIDI region preferences.
9) Make sure you’ve selected “Built-in Output,” if you’re using your computer as your speaker, or the speakers that are hooked up to your laptop.
10) Select your Audio Interface for the “Input Device.”
11) Now, once you’re back at the “Choose A Track Type Page,” then click on one of the two subheadings below, either the “Guitar option,” or the “Microphone option.” This should bring up your MIDI Region and all of your controls.
12) In the “Smart Controls Area,” make sure that you’ve selected your audio-interface where it says, “Input.”
13) Now, plug your guitar into the front of your Audio Interface.
14) Click on the “Monitoring Button,” which looks like an upside down Wi-Fi symbol. This part is important, otherwise, you won’t be able to hear what you’re even playing.
15) You can now select whatever kind of amp you want, whether it’s a “clean guitar,” “crunch guitar,” “acoustic guitar,” “distorted guitar,” “experimental guitar,” “clean bass,” “crunch bass,” and “experimental bass.”
16) You want to hit the “Monitoring” button beside your track-header as well. I’ve highlighted the upside down Wi-Fi-looking symbol with a black circle. It’ll turn orange once it’s been selected.
Under each heading, there are quite a few options that all sound pretty good, especially after you tweak them to your preferences.
And it’s pretty much as simple as that.
There are some problems that you can run into when doing all of this for the very first time. For that reason, I’ll explain some of the problems that I’ve had when I first started out.
Common Problems and Annoyances As A Beginner
1) Make sure that the gain on your Audio-Interface isn’t turned up too much, otherwise, you’re going to be feeding GarageBand too hot of a signal, which will make it sound distorted and bad.
2) Make sure the “Pad,” and “Inst,” buttons are turned off on your audio interface, assuming you own a Focusrite Saffire 6USB. I imagine there are similar controls on other audio interface models.
I find that these buttons make the signal too powerful as well, and thus, create distortion.
3) Latency. I’ve never actually had latency problems when using an Audio Interface, but some people do have this problem. I have an entire article on Latency which you can read more about here.
Essentially, if you’re having latency issues, there could be a number of different causes, however, most of them will be a result of your set-up and incorrect settings for your gear.
For instance, you want to make sure that – if you’re running more than one track – you have the monitoring button turned on for only one of them, rather than every single track.
Other Ways Of Recording Your Guitar In GarageBand
1) You can also use your MacBook’s microphone. This is for very rough demos, obviously, because this way of doing it is going to make a very low-quality recording. However, if you’re desperate, and want to record something, this method will work.
- To do this, you just open a new “Audio” track in your workspace.
- And then click on the “Record” button.
- Start playing the guitar with your amplifier close to it, and that should be enough for a very rough demo.
2) You can also purchase a Guitar to USB cable and hook your guitar directly up to GarageBand. This is an inferior way of recording guitar tracks as well, but it works if you’re running on a string budget.
(This is what a guitar-jack to USB looks like. I don’t own one so I couldn’t take a picture. I had to piece these two images together, but this is what it looks like).
GarageBand will immediately recognize this as an input, so you don’t have to worry about there being compatibility issues.
However, like the method above, you’ll likely run into latency.
3) Use a small portable audio interface if you plan on only running one instrument through your DAW. This is pretty much the same as the main method which I described in detail above.
The only difference is that you’ll be using a much smaller, and likely, limited audio interface. The good thing about this is that it’s relatively inexpensive. Small interfaces are becoming exceedingly popular, like the iRig for example.
I haven’t picked one of these up yet, but once I start traveling around Europe, I imagine I’ll eventually purchase one. I’ll make sure to write a review on it once I do.
Update: You have to use the iRig HD if you want it to work with a PC computer or Mac. The iRig 2 is only good for mobile.
4) Another popular way would be to mic your guitar amplifier up to your audio interface and then through GarageBand.
This is a decent option, but I prefer just to run my guitar directly through GarageBand, rather than doing this. Amplifiers are too big and cumbersome, and I would much rather limit the amount of gear I own.
Before playing your guitar in GarageBand, know that there’s an actually fairly useful tuning mechanism set up in the DAW. It’s not as good as a good old fashioned Korg tuner, but it still works pretty well. I usually use it if I’m too lazy to go over and grab my tuner.
How To Tune Your Guitar Using GarageBand
1) Your guitar is plugged into your audio interface in the computer, so it’s as simple as clicking on the tuning fork beside the center of the DAW where it shows the time signature, tempo, and key signature.
2) When you click on the tuning fork icon, it’ll bring up the meter where you can tune your guitar.
Other Features
One of the great things about using a DAW for your guitar is all of the great VST plug-ins that you can use for your guitar.
For example, you can download amplifier simulators and cabs for your set up, and while it may not sound good as the original which the plug-ins are modeled after, they still sound good enough to use, and they’re good enough for the vast majority of people who aren’t tone-purists.
I’ll show you how to download plug-ins into your DAW in a later article.
That’s all for now. If this helped you out, do me a favor and share it on social media.
YouTube Video Tutorial
Home music production really took off with the introduction of Apple's GarageBand, included with all new Macs. The massive collection of Apple Loops and software instruments included with the program, as well as the huge variety of third-party content available, make it easy for even beginner users to produce professional-sounding songs.
Inevitably though, the time will come when you'll want to add your own vocals to a song you've created in GarageBand. Or perhaps you want to record a podcast or some other non-musical material. So, in this tutorial, we'll show you the basics of recording vocals into GarageBand '11.
Equipment
Before you can begin recording your vocal track, you'll need something to record your voice with and a way to hear what you're doing. Now, you could record your voice through your Mac's built-in microphone and in some cases, like recording a podcast or a simple video voiceover, you could get useable results. However, for recording vocals for a song, unless you're going to be heavily processing the voice track or are looking for an intentionally raw sound, you'll want to use a reasonably professional vocal microphone.
There are a million different mics available that are appropriate for vocals, and we aren't going to recommend any specific ones here. But if you're looking to get a vocal sound that compares with professional recordings, one of the standard types of mics used in the recording industry is what's called a large-diaphragm condenser (LDC) microphone. There are many of these available too, with prices that can run into the thousands of dollars for a top-of-the-line model. But for home recording purposes, you can do well for under two hundred dollars.
The advantage of an LDC mic is that they're more sensitive than the standard dynamic mics you're more likely to see on a live stage, and they tend to 'warm up' a recorded voice, which is why they're favored for studio recording. Condenser mics do require an external power source, referred to as phantom power, so if you go for a standalone condenser mic, you'll need to be sure that your audio interface supplies phantom power.
However, there's a more recent development in the world of home recording that you should investigate also: the availability of a variety of USB-powered large diaphragm condensers. These are especially useful for beginner home recordists, because they combine an LDC and an audio interface in one device. Many of them even provide a headphone jack for monitoring. A USB LDC connects directly to the USB port on your Mac; the USB port supplies the phantom power for the condenser. In addition, the USB mic is its own audio interface, so you don't need to purchase a separate interface to plug the mic into. And, as mentioned, most USB mics also have a headphone output that you can use to monitor your GarageBand inputs and outputs.
This is important because if you listen (on external speakers) while you're recording your vocals, the mic will either feedback into itself, or you'll pick up your instrumental tracks through the mic along with your voice, and you won't be able to mix the final results properly.
By the same token, you'll ideally want to use closed-ear headphones rather than earbuds for monitoring; closed-ear phones generally sound better than earbuds, and also provide more insulation against audio leakage into your mic while recording. And because LDC mics tend to be more sensitive to picking up Ps and other popping sounds, a pop filter is also a good investment. Pop filters are small screens that you mount in front of the microphone to reduce the force of those 'P' vocal sounds (called plosives) without affecting the basic tone quality of the voice.
Step 1 - Create a New Track
OK, assuming you have all your vocal recording gear set up and that you already have an instrumental track in your GarageBand project to record over, you'll need to create a new track to record into. Choose Track > New Track... (Command-Option-N), then click Real Instrument. Under 'My instrument is connected with', choose your mic input (if you're using a USB mic, it will probably appear as USB Audio CODEC rather than the actual name of the mic). Under that, choose your input channel (which for a USB mic will probably default to Mono 1). Under 'I hear sound from', choose your monitoring output (again, choose USB Audio CODEC if you want to monitor through the mic's headphone output. Otherwise choose your available output device). Finally, click the 'I want to hear my instrument as I play and record' checkbox to hear your voice through your monitoring device as you sing:
Then click 'Create' to make the new track.
Step 2 - Set Your Monitor Source
When you create the new track, the Track Info Pane will automatically open to the right of your tracks. You've already set your input source, so don't worry about that. But you do want to set your monitor source in the Monitor pop-up menu: choose 'Off' to disable monitoring, choose 'On' to monitor your mic and the instrumental track through speakers, or choose 'On (no feedback protection)', which is specifically designed for headphone monitoring, which is what we want here:
Step 3 - Set Your Record Level
Next, sing or speak into your mic and look up in the track name area at the record level meters for your new track (it's located above the slider). Note that this slider doesn't affect the input level, just the playback level. For a USB mic, the recording level is probably set on the mic itself; otherwise you set it in the Track Info area where we just set the Monitor source.
So, while singing or speaking, adjust your recording level so the meters read, on average, in the upper end of the green area. It's OK if the meters go into the amber range occasionally, but don't hit the red marks at the ends of the meters otherwise you'll get distortion in your track.
Step 4 - Set Effects for the Track
At this point, you can just start recording your vocals, but many people like to hear what vocal effects will sound like on the track as they record it, so they can respond to the effect while singing. This is strictly a matter of taste but for now, let's apply effects while recording.
So, with the track selected, click on Vocals in the right side of the Browse tab in the Track Info Pane, then choose different vocal effects settings while singing and listening to the results. Again, this is a matter of taste and you can always change the effects setting after recording. For now, choose Pop Vocals from the list:
Step 5 - Record!
Alright, let's record: with your new track selected, drag the playhead to the location in the track where you want to start recording (or click the 'Go to the beginning of the song' button in the Transport), then click the Record button to begin recording. You'll hear your instrumental track playing back (adjust its playback level with the Set the track volume slider if necessary) and as you sing, you'll see your vocal track appear in red in track window. When you're done recording, hit the Spacebar to stop, after which your track will appear in purple:
Rewind back to the beginning and hit Spacebar again to hear your recording, adjusting the relative track volumes as needed. If you don't like what you just recorded, simply undo to remove the recording and record again.
And those are the basics. From here you can, for example, try applying different vocal effects to your vocal track by just choosing them from the browser, or you can add another vocal track by recording into a new track.
Did you know there are plenty more tricks on recording audio in GarageBand? Learn more in Garageband'11 101.